The Kremlin Letter

Still waiting...
One of the best spy movies I've ever seen. Deception, betrayal, violence, sex, perversion--and that's just in the opening credits. But seriously, it is a great movie and I want to be able to share it with friends. After growing up with Richard Boone on Paladin, his blond persona in this movie was quite a shock.

Available At Last!
No major American director has had a lower percentage of his films available on DVD than John Huston. Part of the reason is that Huston made a number of his films for smaller, newer companies that appeared after the collapse of the old studio system in the late 1960s. These companies quickly went bust leaving the question of who owns the rights to these films in limbo. Another is that Huston's choice of material was eclectic and mostly downbeat in tone which is never a key to financial success on the big screen or off. THE KREMLIN LETTER was innocent of the first charge having been made for 20th Century Fox but not of the second for its overall tone and outlook at international espionage makes THE SPY WHO CAME IN FROM THE COLD look like a comedy. Still there were films like it already out there so its failure came as a suprise to Huston and to Fox. The real surprise is that Fox has not allowed it to be on any form of home video until now. Be thankful for small favors but hurry as this...

Let this Classic Never be Forgot!!!!!!!!
"The Kremlin Letter" is one of the grittiest, realistic espionage thrillers I have ever seen. What a shame this isn't available on DVD. The cinematography is first rate, the acting is spot on, and the story, while a bit hurried, is AFI top 100 worthy! I have never heard of this film until today, (April 14, 2009); apparently it was a flop in 1970, I cannot imagine how this isn't hailed as a classic the world over. The realism and believability of the "hard espionage" mind games portrayed in this film make it a worthy addition to any collection. I can only hope and pray that it is released soon.

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Love'S Labour'S Lost

You will be smiling...
I've always loved Branagh. From the moment he made film history with HENRY V (by being the first person since Orson Welles to earn Oscar nominations for both actor and director for the same film) to the light touch he brough to his voice acting in the animated ROAD TO EL DORADO, he has always been a favorite.

But--a film musical based on one of Shakespeare's least-important works? Set in the late 1930's no less? Sounds almost as bad an idea as MOULIN ROUGE. Intrigued, we rented the film from Netflix.

AND FELL IN LOVE. Who cares about the chop-job he did on the "sacred" text? Who cares about the lack of voice in some of his singers? What we watched was a film that made us smile from the opening credits all the way through the final act.
Set aside your preconceptions about what a Shakespeare film should be. Set aside your ideas about what a musical should look like. Enjoy the fun of the film, the glamour of its costuming, its very likable cast. When most movies try to...

LLL 40% Shakespeare, 100% fun
Love's Labour's Lost is true to the spirit of Shakespeare's comedy if not the text itself. A delightfully entertaining blend of Gershwin, Porter, and a little bit of the Bard, LLL is highly recommended for musical theatre lovers and anyone willing to consider Renaissance theatre in ways not involving pantaloons and talking to skulls. Nathan Lane is brilliant as Costard, here interpreted as a struggling vaudevillian; Lane lends vocal support (the weakest area of the cast) to the eleven o'clock number "There's No Business Like Show Business." Though the ensemble struggles through some of the musical numbers, the bittersweet "They Can't Take That Away From Me" is all the more moving because of their difficulties. The only number which seems not to fit within the framework of the play/musical/film is also its chief selling point; LLL publicity has focused upon the Fosse-esque "Let's Face the Music and Dance," which stands out in an otherwise charmingly coquettish production as a...

Much Ado About a Musical
This film was not widely released, but being an avid Branagh fan I made a trip to go see it, hoping it would become a favorite like his earlier film, Much Ado About Nothing. Alas, this was not the case. Although very cute, I felt like I was watching a high school drama production -mind you, a very good one- but I didn't think it was as up to par as some of his earlier films. The movie definitely does have a feeling of a MGM musical (I think that's what they were going for) and the songs are old favorites by Cole Porter, the Gershwins, and Irving Berlin. Amazingly enough, the actors sing, and quite well. Adrian Lester (previously seen in Primary Colors) has a great voice and was the best dancer in the cast. At times I felt that Alicia Silverstone (The Princess) seemed a little too southern California for Shakespeare, but even she began to grow on me during the movie.

Love's Labour's Lost is one of the Bard's lesser known plays and is very easy to understand. Although I seemed...

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Thirteen

Terrifyingly real...
The litmus test for the realism in this one - watched it with a group of 12-18 year old girls and they all said it reflected the reality of being teenagers, with all the actual pressures and stresses of their high school and social lives. This is, quite simply, one of the most honest (and painful) movies about adolescence that I've ever seen..and it was written by a teenager who also stars in the movie...amazing!
At the start of the movie, Tracy (played by Evan Rachel Wood) is a good student with a not-so-great family life. Her mother is struggling to put food on the table and under a lot of pressure to hold family and home together.
So it makes sense that Tracy would be drawn to "the coolest girl in school", Evie, a wild rebel with a penchant for danger. Evie gladly takes Tracy under her wings, often pushing her into Tracy into situations she isn't prepared for (parents should be aware that some of the scenes are graphic, including sexuality and nudity).
It is...

Thirteen as told by a thirteen year old
While reading other customer reviews, I was stunned by the tendency of cynical college types to dismiss this movie as "eager to be hip" and "exploitive garbage". If one has not been through an experience, rejecting it when it is displayed must be easy. However, for those of us like myself, who are thirteen years old, this movie was shockingly real. And who better to be the judge of that than a thirteen year old, rather than a pretentious college student, now too cool to believe in teen "angst" as they call it.

Tracy's (the remarkable Evan Rachel Wood) descent into the world of drugs, casual sex, and smiling lies is a descent I have seen far too often in real life. Some reviewers were suspicious of the quickness of her progression into this world. However, one must remember that these are middle schoolers, not twenty-somethings, and the overwhelming insecurity of most 13 year olds allows them to change their images daily. Also, Tracy is not necessarily a "good girl" when the...

SMELLS LIKE TEEN SPIRIT...SORT OF
Tracy is a sweet yet troubled teen who meets the alluring bad girl Evie and falls into a life of drugs sex and crime but this is not some dreadful after school special version of teen issues with cute and tidy resolutions. Thirteen is a bold, gut-wrenching film about the crumbling American family and the current generation of overexposure, MTV, reality shows, and disillusionment. Tracy is astonishingly portrayed by Evan Rachel Wood who gives such an amazing performance it should take child-acting to new heights. Evie is portrayed by Nikki Reed (who also co-penned the script) is a vibrant screen newcomer. The Oscar nominated Holly Hunter ,as Mel, is brilliant as a bohemian, alcoholic single mom who watches her daughter Tracy descend into self-destruction right before her eyes. The director Catherine Hardwicke directs the film with relentless, edgy appeal giving the film it's power and drive.

Although most critics give the film massive acclaim, some have shuddered at the shocking...

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Close Encounters Of The Third Kind

I wished upon a star and my dream came true!
Now this is the way it should be. You get all three cuts, all remastered in 5.1 surround and all have been digitally transferred. Thank you so much Mr. Spielberg because this without a doubt has to be one of your best (along with the original ET).

Last night, I watched the original theatrical version and forgot how much was removed for the "Special Editions" and the final "Director's Cut". In my mind, the original version is the best and to finally have it in all it's uncut 5.1 surround sound (which didn't exist back then) glory is simply wonderful.

The packaging is nice, although I found it very difficult to remove the DVDs without fearing I might snap them because the locking mechanism seems to not want to let go of the DVDs no matter how hard I press down on them. I suppose I could look at it in that I shouldn't fear them coming off during shipping and getting scratched up.

The box is nicely designed and inside are some wonderful items. It comes...

Finally Coming To DVD! Preorder Now!
This two-disc set features a THX-certified 2.35:1 anamorphic widescreen transfer of Spielberg's (so far) favored cut of the film (the third!), dubbed the "Collector's Edition" after its 1998 release on VHS and laserdisc, and runs 137 minutes. The anamorphic transfer is minted from a hi-def transfer created at Sony's DVD center in Culver City, California and cleaned up for this release. The disc features both Dolby Digital and DTS 5.1 soundtracks, the 102-minute "The Making Of Close Encounters Of The Third Kind" documentary by Laurent Bouzereau created for the 1998 laserdisc, a collection of additional deleted scenes, a featurette on the film's enduring place in the sci-fi film pantheon entitled "Watch The Skies" (which, coincidentally, was the original working title for Spielberg's opus), talent files, and two theatrical trailers. Note that the still gallery on the laserdisc will not be carried over to the DVD. The set also comes packaged in Columbia's...

We are not alone.....
Close Encounters of the Third Kind, Steven Spielberg's 1977 UFO classic, is the thematic antitheses to 1996's Independence Day. While Roland Emmerich's ID4 is a throwback to 1950s "invaders from space" flicks, Spielberg's vision of a "close encounter" between humanity and extraterrestrials is more mysterious and, in the end, more hopeful and awe-inspiring. Instead of exchanging bullets and "heat rays," humans and aliens communicate by using musical notes.

Spielberg's screenplay divides Close Encounters roughly into three acts, basically corresponding to each of the three kinds of "encounters."

In the first category, sightings of a UFO, we first see a very strange sight in the Mexican desert: an international team of researchers led by French UFO expert Lacombe (the late Francois Truffaut) and guided by several Mexican Federales finds five World War II vintage Grumman TBM Avengers. The planes are abandoned but strangely intact, as though they were brand new. "Who flies this...

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People Will Talk

Dr. Praetorius I Presume!
Another one of Joseph L. Mankiewicz's films to be lost in the wake of All About Eve, People Will Talk is a terrific comedy/drama featuring a wonderful cast. Cary Grant is Dr. Praetorius whose treatment of patients is somewhat controversial and unconventional. When he befriends a young, unmarried pregnant woman (Jeanne Crain), Grant finds himself the focus of an investigation lead by a jealous collegue (Hume Cronyn) at the university where they both teach. Grant's interest and concern for Crain goes so far as his proposing marriage. And then there's the matter of Mr. Shunderson (Finlay Currie), Grant's seemingly simple-minded, yet constant companion. No one seems to know the details of Mr. Shunderson's life, except Grant, and he's not telling. Not a huge hit when first released, People Will Talk has developed an almost cult following today, and like many past film "failures," it's now considerd a pretty good film. Perhaps it was ahead of its time, but it has some...

Good Doctor Praetorius and the Mysterious Mr. Shunderson
"People Will Talk" is a movie that I first stumbled upon while flipping channels one day. Cary Grant plays Dr. Noah Praetorius, who both practices and teaches medicine with an apporach that is refreshingly modern, even by today's standards. When young Deborah Higgins (Jeanne Crain) collapses, the good Doctor learns she is pregnant, unmarried, and suicidal. After telling her a story about a frog to make her think she is not really pregnant, some things happen and he ends up marrying Deborah. Meanwhile, Professor Rodney Elwell (Hume Cronyn) find Praetorius's novel methods abominable and is trying to find out the truth about not only the good Doctor but his strange companion, Mr. Shunderson (Finlay Currie). The film's climax is an inquisition into Praetorius's past (which keeps him from conduction his orchestra made up of all the school's med students), where it seems that he cured people in a backwater town as their butcher. However, the more Elwell goes after...

Neglected Mankiewicz Classic
In the late forties, Mankiewicz was on a role with The Ghost and Mrs. Muir, A Letter to Three Wives, rolling right into the fifties with All About Eve and People Will Talk. Unfortunately Eve seems to get all the glory these days. People Will Talk is remarkably up to date. Cary Grant's character, Dr. Praetorius, believes "that knowledge of the human emotions and spirit is as necessary for a medical person as anatomy." Jeanne Crain plays an unwed pregnant student that Grant saves from suicide and despair. The supporting cast includes some of the greatest character actors of all time including Hume Cronyn, Sidney Blackmer, Walter Slezak, Finley Currie, and in a delightfully funny bit Margaret Hamilton. Currie's performance as Grant's faithful assistant/friend is wonderfully under played. One of my favorite moments is the porch scene with Grant, Crain, and Blackmer, with Crain shouting "Bella" at the top of her lungs. You'll have to see the film to...

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The Hunter (2010)

Thrilling
This is a movie directed and written acted all incredibly well. Ali has recently been released from prison and is now working as a night watchman in Tehran. This factory job now means that he is at least able to support his small family comprising his wife Sara and their daughter, Saba.

One day, Ali comes home from work to discover that Sara and Saba have disappeared. Realising that there

Phantom Of The Paradise

He Sold His Soul for Rock 'n' Roll
The movie synopsis:

In the 1974 film PHANTOM OF THE PARADISE, William Finley stars as Winslow Leach, a very talented composer who is working on a rock opera based on FAUST. Pop composer Paul Williams plays Swan, an aloof and mysterious record producer who has made the careers of many popular rock musicians. [For the youngsters reading this, a record is, like, an antique version of a music CD.] Swan has built the Paradise, a massive enclosed amphitheater that will be used to showcase the many bands and musicians under his auspices, but he wants to find new material and new talent for the extravagant gala he is planning for opening night. Enter Winslow--who wants Swan to consider his FAUST material for the Paradise grand-opening--and an attractive and talented young female singer named Phoenix (played by the cute Jessica Harper, here in her film debut). While waiting to audition for Swan, Winslow and Phoenix meet and...well, it's love at first sight. Unbeknownst to the two...

Strange Hybrid is Strangely Compelling
Talk about a strange brew... a mixture of horror, comedy, rock music, unrequited love and fantasy. A songwriter's music is stollen by a promoter (Paul Williams) who has the writer thown in jail, beaten and almost killed. The songwriter returns as the "phantom" and haunts the rock palace of the promoter.
It's hard to recommend this movie to someone. If they like the music, they may hate the horror elements, or visa versa. But if you're a child of the seventies, this will probably appeal to you.

First off: the music is excellent. It was written by Paul Williams, who also sings some of the songs. It was nominated for an Academy Award (it is also available on CD).
Next: If you like Brian Depalma, with his split screens, mood lighting and quick cuts, it's all here.
Also: Jessica Harper, in her film debut as the love interest, is great, and she does her own singing. Gerrit Graham is absolutely hysterical as "Beef" the glam rock KISS wannabe.

A...

Overlooked rock music film which was somewhat prophetic
The 1974 rock music film Phantom Of The Paradise is perhaps one of the most unusual and intriguing films i've ever come to know. This film was one of Brian DePalma's best films to date next to 1976's Carrie, 1983's masterwork Scarface and 1987's The Untouchables. The film is seen as somewhat as a rock and roll version of Phantom Of The Opera but it's a film about getting revenge on those who have hurt us. The hero in the film is nerdy and disgruntled composer Winslow Leach(played by William Finley) whose rock cantata about the magician 'Faust' whom was stolen by music impressario Swan. Swan had his own record label Death Records(originally Swan Song before Led Zeppelin coincidentally came up with the record label name and the producers changed the label to Death) and his own music channel(predated MTV by many years. Swan then proceeds and destroys Leach's life (steals the lovely Phoenix from Winslow, has him wrongfully framed, arrested, teeth pulled and had metal teeth in its...

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